a5c7b9f00b Life finally feels good for Peter Parker. He has managed to balance life as both Spider-Man and as Mary Jane's boyfriend. He is even planning on proposing to MJ. But life isn't always going to be easy for the webbed hero. Harry Osborn still hasn't forgiven Peter for the death of his father. He has developed the perfect technology and crowns himself the 'New Goblin'. Harry isn't the only problem. It is revealed that an escaped convict, Flint Marko is the real killer of Peter's uncle. After an accident, he is now the invincible 'Sandman', who has teamed up with Venom to target the superhero, who is struggling to handle his life.
Peter Parker is finally happy: he is doing well at the school, his girlfriend MJ Watson loves him and the whole city loves his crime-fighting alter-ego Spider-Man, finally bestowing upon him the praise he so rightly deserves. Apart from this, he has made some new foes and rivals . His former friend-turned-foe Harry Osborn has become the New Goblin and wants to avenge his father by killing Spider-Man. On one night, an alien symbiote from outer space crash lands in Peter's vicinity and attaches itself to his Spider suit, turning it black in colour and enhancing its powers. Flint Marko, a fugitive, is turned into The Sandman when he gets subjected to a molecular lab experiment. Incidentally, Marko is the person who is revealed to have killed Peter's uncle Ben and now Peter wants revenge. Peter's job as a freelance photographer with The Daily Bugle is taken by Eddie Brock. Peter also learns that apart from enhancing his powers the black symbiote has also brought out the dark side within him which causes him to ruthlessly manages to throw Eddie out of his job. When MJ breaks up with him, he starts dating his fellow student Gwen Stacy who was Edie's ex, to make them both jealous. Soon Peter must decide whether he should let his dark side to dominate his personality or not.
Being a fan of some more recent comic-to-movie adaptations, and a rather big Spidey fan myself…the first two Spidey movies did a great job with giving fans another medium to see their favorite story, as well as making it easy for newcomers to get into the story as well. While the adaptation(s) fall stray from the actual comic books (which is understandable…it&#39;s almost impossible to take literary works to the screen without some mix/miss on the content), the basis to many things were left intact.<br/><br/>Too much onto too big of a plate in too little time. It&#39;s unfortunate that Spider-Man 3 falls short of what it should&#39;ve been…which is 3 movies instead of one. Lacking character development and coherent story-telling, you find yourself wondering what you&#39;re watching halfway through the film.<br/><br/>It was great seeing two new villains introduced…but entirely disappointing to find them both &quot;gone&quot; at the end of the film. The storyline of Harry &amp; Peter wraps up nicely, but honestly the film should have gone to them…which would have left the &quot;dark&quot; element out of the 3rd film.<br/><br/>The introduction of Venom was a huge &quot;pull&quot; to the film (especially for me…he&#39;s my all-time favorite villain). However his part is left too small and insignificant, hardly worthy of one of Spider-Mans &quot;biggest&quot; nemesis. The fact that they stuck so close to lore on the Spidey/Venom relationship is a testament to what writers &quot;should have&quot; done…which is give him the glory he deserves. Movies 1 &amp; 2 gave appropriate time to build the villains into the films, using the story to strengthen their role, and make them &quot;part&quot; of the film. Sandman and Venom are left with very very thin entrances and exits…which makes you wonder &quot;what was the film about?&quot; The pointless dribble between action sequences was further proof of this problem, trying to fit too much story into area&#39;s of the movie that fell victim to poor character development. Seeing Peter &quot;dance&quot; like a fool in a Jazz club hardly shows the &quot;agony&quot; and &quot;dispair&quot; the symbiote inflicts on it&#39;s host. Hardly the &quot;dark&quot; side we all imagined prior to seeing the movie. Peter hardly struggles with this problem before deciding to remove the black goo…sending it to Brock, where they share a hatred for Peter. But why should the symbiote hate Peter? Who knows! They didn&#39;t explain it well enough, they were too busy trying to fit Sandman and Harry Osborne into the film when they should have been building &quot;one&quot; character instead of &quot;three&quot;.<br/><br/>Ultimately, it&#39;s a Spider-Man movie, and I&#39;m sure I&#39;ll own it and watch action sequences over and over again. But, it&#39;s entirely unfortunate that such potential was wasted to turn a movie into an almost 2 1/2 hour &quot;eye candy&quot; spectacle.
Warning: Contains major spoilers.<br/><br/>Spiderman 3 was a frustrating experience. It was a movie that had a lot of fun elements, but also a laundry list of problems. I don&#39;t feel this was due to the stacked nature of the story, but rather the fact that certain scenes either didn&#39;t work or required too much of a leap of faith from the audience.<br/><br/>Let&#39;s take the infamous Butler scene. The Butler tells Harry that Norman&#39;s wounds were self-inflicted. How on earth could he come to such a conclusion? It was a poor way of bringing about Harry&#39;s change of heart. Similarly, Eddie Brock tells the Sandman that he knows about his daughter. How did he acquire this information? These two scenes were rather critical moments(Harry putting aside his revenge and Sandman teaming up with Venom, respectively), yet the logic behind them was poorly explained.<br/><br/>Spiderman 3 is easily the most emotional film of the trilogy; however, there are moments when the characters display a complete lack of emotion or response to the surrounding circumstances. In the aforementioned Butler scene, Harry isn&#39;t the least bit annoyed that the &quot;information&quot; regarding his father was kept from him for so long. Harry&#39;s manipulation of Mary Jane - getting her to break up with Peter - isn&#39;t referenced again, despite it having a significant impact on their relationship. And when the Sandman tackles &quot;Spiderman&quot; in an alley-way, only to be met with the screaming face of Venom, he actually turns around and begins to walk away! He is completely unfazed by this monstrous creature he&#39;s just encountered in a dark alley.<br/><br/>The film continues the annoying trend of Spiderman frequently losing his mask, taking it to gratuitous levels at the end. Peter loses his mask during his first confrontation with Venom, manages to put in on again when fighting Venom and Sandman, only to have it torn and eventually knocked off completely by Venom once again. The use of the black suit is restricted as well, in favour of Peter in street clothes, with the black suit just about visible at collar level. Raimi clearly has reservations about conveying a masked Spiderman and it&#39;s annoying to see the lengths he goes to in order to cause Spiderman to lose his mask.<br/><br/>Criticisms aside, the film did have its good points - good points which I think outweigh the bad overall. In terms of the characters, we have the reliable comedy from J Jonah Jameson and other co-stars, and Bruce Campbell once again getting the time to shine. The Sandman is an excellent addition to the series - his backstory is unoriginal, but he&#39;s not a cookie-cutter villain and the special effects (particularly when he first tries to maintain human form) are impressive at times. Eddie Brock, whilst being completely different from the character in the comics, receives a limited but well performed role as Peter&#39;s rival. Gwen Stacey is a breath of fresh air, in the few scenes she&#39;s in, as an alternative to Mary Jane. Though I really feel that Gwen should have been the damsel-in-distress at the end.<br/><br/>The overall story of the film was also enjoyable. Spiderman 2 and Superman Returns excelled at presenting how difficult it is to be a superhero. The formula continues in Spiderman 3, shifting from Spiderman&#39;s newfound celebrity status to the problems in Peter&#39;s personal life. There are also some nice nods to the first film, such as the hallucination of Norman telling Harry &quot;We attack his heart!&quot; and Gwen giving Spidey an upside-down kiss. Little touches like that go a long way towards making the series seem like a trilogy. I disagree with the general view that too much was packed in - there were problems with certain scenes, but they were problems from the get-go, rather than being the result of trying to tell too much. For goodness sake, the Butler obviously has an advanced medical degree or psychic powers, while Harry and Mary Jane spontaneously decide to dance whilst preparing a meal! The only point in the film where I felt things were a little rushed was when Peter first donned the black suit. We could have seen a little more of his crime-fighting efforts in his new threads, perhaps testing how his abilities had changed, before moving to Peter&#39;s growing attitude problems.<br/><br/>There are a number of action scenes in the film. The first fight between Peter and the New Goblin should be familiar to many, as it was released on the internet in its entirety. It&#39;s a fun scene, though the night-time setting and frenetic pace makes it difficult to make out what&#39;s going on. Peter&#39;s wedding ring, however, clearly exists outside the laws of conventional gravity. My favourite fight scene was actually Spidey&#39;s first meeting with the Sandman, in the armoured car. It was a nice portrayal of Spidey having a chip on his shoulder (&quot;I&#39;m the sheriff in this town&quot; or words to that effect), and being completely unprepared for a man who could turn into sand (followed by a funny &quot;Where do these guys come from?&quot; pondering after the fight). The tag team battle at the end was very entertaining, and made all the more special by a cheering crowd rallying behind the heroes (a setting which I think is sorely lacking in superhero films). I could have done without the overly-British reporter commenting on the action, however.<br/><br/>Overall, I&#39;d recommend this to fans of the first two films. There are flaws which I could not ignore, which made it a disappointing experience. But it&#39;s worth checking out, and I&#39;ll still be getting it on DVD when it arrives. For those of you who are not fans of the Spiderman film franchise, or were not bowled over by Spiderman 2, I would advise you to keep away; the problems of the film will no doubt be intensified by a dislike for Raimi&#39;s general &quot;wacky&quot; style.
Overly long and complicated, it's packed with crowd-pleasing moments and satisfactorily wraps up the trilogy - without quite capturing the magic of the first two installments.
Another answer can be like a reference to the 1994&#39;s Spiderman: The Animated Series, when he accidentally found the weak of the Symbiote in a fight with Shocker in the &quot;The Alien Costume&quot; saga. The answer is twofold; Eddie worked for the daily bugle and thus likely found out about Marko&#39;s escape and motives as the bugle was covering it. He then bonds with the Symbiote which retains its memories of its time bonded with Peter including the fight in the subway. Eddie Brock Jr. could have been brought back for a sequel or spinoff (but hasn&#39;t and won&#39;t). Additionally, the Symbiote is still alive in a couple places—remember that Dr. Connors still has a piece of the Symbiote. It is widely believed that the Symbiote that Connors has will eventually bond with the yet-to-be-introduced character of Cletus Kasady to form Carnage, as was the case in the comics that Carnage was created in Venom&#39;s wake. It was announced in July 2008 that there was Venom spinoff in early pre-production that would follow Spider-Man 3 (but seemingly it was cancelled with the discontinuation of the main movie series). Topher Grace possibly would not have returned for the role, as there had been several other hosts to the Venom Symbiote in the comics that could be used in a solo film, including the short lived Angelo Fortunato, and the Scorpion aka &quot;Mac&quot; Gargan. Eddie Brock, meanwhile, had the bits of Symbiote left over in his blood bond to his white blood cells, giving him a new white Venom-like suit. Along with a more altruistic attitude, Brock calls himself Anti-Venom. A potential spinoff could have followed either of these plots. (Source: here.) Ultimately the fates of the characters in the Tobey Maguire Spider-Man continuity is unknown, and similar is the case with the later Andrew Garfield Spider-Man reboot continuity, since the movie franchise was rebooted one more time shortly thereafter. The song playing during Peter&#39;s street-dancing scene was &quot;People, Get up, and Drive Your Funky Soul&quot; by James Brown. It is an edited version, though, since the original was nine minutes long and was featured on James Brown&#39;s 1988 album Motherlode. This version is two minutes and 24 seconds. Possibly never. It is still unknown at this time when or if it will be released. It is also unknown what the running time would be. Sam Raimi has not made any statements about a Director&#39;s Cut, although Columbia has been known to release extended director&#39;s cuts on DVD for other titles in the past, including Spider-Man 2.1. However, note that Columbia may no longer have the relevant rights (such as post-production in addition to distribution) to the Spider-Man cinema franchise, as the underlying copyright (or license) has gone from Columbia&#39;s control to Sony&#39;s and then to Marvel Studios&#39;. The movie studios are unlikely to work out a deal, especially if it wouldn&#39;t be mutually profitable. If a Director&#39;s Cut home video release is ever made of this movie, it is likely to be called Spider-Man 3.1. Had a &quot;3.1&quot; DVD been made then it would have likely to been released to coincide with the theatrical release of the reboot movie The Amazing Spider-Man (2012) just like when the &quot;2.1&quot; DVD came out to coincide with the theatrical release of Spider-Man 3. But the odds of this had always been slim, given that The Amazing Spider-Man was the start of a new series. Had Spider-Man 4 been released in 2011, the studio probably would have released it as a Spider-Man 3.1 then. When the film was completed, the running time was set at 156 minutes on the IMDb page, then later reduced to 139 minutes. Therefore, about 17 minutes was cut from the final film. Note: Richard Roeper &amp; Christy Lemire&#39;s review of the film presented the 156-minute running time on screen, but it is no longer available online. On a Sony Pictures discussion board thread archived here There was going to be a fourth movie but the studio eventually scrapped it in favor of a reboot. It was ultimately cancelled coming down to a combination of Sam Raimi and Sony Pictures not agreeing on an antagonist or villain for the film and Raimi hating the concocted storyline for the fourth film. Perhaps there was a way to save &quot;Spider-Man 4&quot;; but just as likely the studio folks tried all they could but to no avail, and it would&#39;ve cost too much money had they kept on trying to agree on a villain or got more writers to draft the story.
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